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inauthor:"Garrett A. Sullivan" from books.google.com
Garrett Sullivan explores the changing impact of Aristotelian conceptions of vitality and humanness on sixteenth- and seventeenth-century literature before and after the rise of Descartes.
inauthor:"Garrett A. Sullivan" from books.google.com
Garrett Sullivan offers a new approach to cinematic adaptation and appropriation of Shakespeare at a watershed moment in British history.
inauthor:"Garrett A. Sullivan" from books.google.com
Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized.
inauthor:"Garrett A. Sullivan" from books.google.com
Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with ...
inauthor:"Garrett A. Sullivan" from books.google.com
A follow-up to the popular Graduate Study for the 21st Century , this book seeks to expand professional development to include the personal aspects of daily lives in the humanities.
inauthor:"Garrett A. Sullivan" from books.google.com
This collection provides readers with a comprehensive overview of postwar representations of Nazism in popular culture, documenting and critiquing their enormous impact and importance.
inauthor:"Garrett A. Sullivan" from books.google.com
"Garrett Sullivan explores the changing impact of Aristotelian conceptions of vitality and humanness on sixteenth- and seventeenth-century literature before and after the rise of Descartes.
inauthor:"Garrett A. Sullivan" from books.google.com
Garrett A. Sullivan explores the ways in which a range of early modern plays - including King Lear the anonymous Arden of Faversham - intervene in the reconceptualisation of land and land ownership in the late 16th and early 17th centuries.
inauthor:"Garrett A. Sullivan" from books.google.com
The essays examine the dynamic and varied mediations early modern writers posited between microcosm and macrocosm, ranging from discourses on the ecology of passions to striking examples of distributed cognition.